'Comeback' is a good word, man.
Exhibition: Ian Strange - Suburban at the Ian Potter Centre: NGV Australia. 27 Jul 2013 - 15 Sep 2013
Ian Strange: Suburban is a multifaceted photography, film and installation exhibition created by New York-based Australian artist Ian Strange. Since 2011 Strange has worked with a film crew and volunteers in Ohio, Detroit, Alabama, New Jersey, New York and New Hampshire to create, photograph and film seven site specific interventions incorporating suburban homes. The recording of these interventions through film and photographic documentation forms the basis of this new and groundbreaking exhibition.
Cindy Sherman - From the series 'Untitled Film Stills’, 1977-80. Photograph, silver gelatin print on paper
Untitled Film Stills is a series of sixty-nine black-and-white photographs made between 1977 and 1980. In them Sherman appears as fictitious characters in scenarios resembling moments in a film. She used vintage clothing, wigs and makeup to create a range of female personae which she then photographed in apparently solitary, unguarded moments of reflection, undress, or in conversation with somebody off-set and outside of the frame. The ‘stills’ are set in a variety of interior locations as well as outside in urban and rural landscapes. They were begun shortly after Sherman moved to New York city with the artist Robert Longo (born 1953).
"In college I began to collect a lot of discarded accoutrements from the 1940s, 1950s and 1960s, more for my own personal wardrobe as well as for the sheer fascination with what those garments stood for. It was easy and cheap to collect all kinds of things in those days. I’ve always played with make-up to transform myself, but everything, including the lighting, was self taught. I just learned things as I needed to use them. I absorbed my ideas for the women in these photos from every cultural source that I’ve ever had access to, including film, TV, advertisements, magazines, as well as any adult role models from my youth. The resulting photo shoots were very brief. In those naïve days, I would sometimes take only about six shots for one scene and move on to the next, so that with one roll of film I could have six different set-ups.”
(Quoted in Contemporary Art: The Janet Wolfson de Botton Gift, p.99.)
The Museum of Fine Arts Boston is holding a retrospective for the films of Wong Kar-Wai, one of the world most important auteur living today. Wong Kar-wai has developed a signature style of bold cinematography, music, and editing that demands the immersive experience of the big screen. If you are in Boston, this is a must see retrospective! More info here
Andy Warhol - Sleep (screen test), 1963.
Tim Hetherington - From the series 'Sleeping Soldiers', 2008. Digital C-prints
Hetherington spent 15 months in Afghanistan between 2007-2008 following the members of a 15-strong platoon of US paratroopers at one of the most remote and dangerous outposts in the war zone. He went on to make the award winning film Restrepo (2010) with the footage that he shot during his year-long engagement with the spaces of war. In repose, the US soldiers seem angelic, contemplative, or vulnerable: in the photographs posted here I see Adonis (Alcantara), foetal (Kelso), corpse (Lizama) and death mask (Richardson). As Michael Fried comments on the 1930s Walker Evans subway photographs were he took pictures of commuters with a hidden camera, “the notion that persons who are unaware of being photographed who at the limit are unaware of being beheld manifest the inner truth of their meaning on their faces.” This way of capturing an inner truth is rare in the history of art. Although there are plenty of individual paintings that depictsleeping men in art I could find no body of work that depicts men sleeping in painting or photography.