Rineke Dijkstra - From the series ‘Beach Portraits’, 1992-2002.

In her most famous series, Beach Portraits (1992-2002), juveniles stare at the camera in a moment passif, caught by the camera between states – youth / adulthood, knowing / unknowing, Self / Other. Shot from a low perspective, lit by fill flash and with little contextual detail, the subjects exhibit – and I use the term advisedly – vulnerability, awkwardness (in the body and self), languidness of pose and bravuro self confidence that belies their beautiful alterity. These adolescents are not at one with themselves they are unsure of their place in the world. Dijkstra documents this uncertainty and enlarges it, blowing the photographs up to huge scale so that the viewer can examine every crevice of the persona in minute detail, their alterity visually represented.

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    In her most famous series, Beach Portraits (1992-2002), juveniles stare at the camera in a moment passif, caught by the...
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